Issue 178, October 2023 – From Marx to Márkus

Fábricas (1933) Horacio March. From the cover of the Portuguese translation of György Márkus’ Marxism and Anthropology (2015)

Issue 178, October 2023

From Marx to Márkus

Guest Editors Fu Qilin and Peter Beilharz

Articles

Is critical economy at all possible? A research note on Márkus, Bence and Kis

Peter Beilharz

This research note discusses the text of How Is Critical Economic Theory Possible, seeking to locate it in the moment of its own creation; against the object of its critique, in Das Kapital itself; and to relate it to the moment of the arrival of the Budapest School in Australia and its effects and influence on the emergent journal Thesis Eleven.

György Márkus, 75% mensch: On the occasion of the publication of the English version of How Is Critical Economic Theory Possible? [Open Access]

John Grumley

In this article I give an overall interpretation of the development of the Budapest School in Australia as political emigres, who initially worked and wrote in Melbourne and Sydney until the final years when Heller and Feher moved on to New York in the mid-1980s and then back to Budapest in 1993. The translation of How Is Critical Economic Theory Possible? has allowed us to better grasp the motivations and theoretical innovations of the Budapest School, to appreciate their internal disputes and to recognise fundamental continuities and difference in these two key thinkers. This book was a gallant retrieval of democratic potentials in Marx. It excavated Marx’s own appreciation of needs produced by, and critical of, the alienations of the capitalist system. Ultimately, this early work was unable to realise its ambition to educate the diverse progressive movements of the times. I will show later that the retrieval of progressive potentials took a more social democratic form in the work of Maria Márkus on needs as she encountered them later in the Hawke Labor Government of Australia from 1983. Introducing the world media to the Budapest School in The Times Literary Supplement on 15 February 1971, Lukács described Márkus as ‘75% mensch’. When Lukács first met him, George already had his own philosophical interests, which he would bring with him when he became a key figure in ‘the Budapest School’. Márkus had studied in Moscow where he wrote his dissertation on the topic History and Consciousness and met his Polish wife, Maria. George used to modestly say that he was an expert only on the works of Karl Marx. That was despite that he had taught the history of modern philosophy at Eotvös Loránd University to Hungary’s most promising philosophers for a decade and later to philosophy students at Sydney University for the next 20 years. In the early 1970s, George invited Janos Kis and György Bence to work on his next project that would become the Hungarian version of Überhaupt, which was to become How Is Critical Economic Theory Possible? The new English translation published by Brill this year opens this important rethinking of the work of Marx to an international readership.

On Márkus’ new Marxist philosophy of language

Shuai Shao

This article elucidates Márkus’ new Marxist philosophy of language based on his critique of the paradigm of language represented by Popper, Wittgenstein, Lévi-Strauss, and Gadamer. His critique suggests that instrumental rationality, pure reason, alienated reason, and objective and idealistic rationality of the paradigm of language are elements that should be overcome. From his critical perspective, value rationality, practical reason, personal reason, and historical materialism are advocated instead. He not only critically develops the philosophy of language but also adds new levels of meaning to Marxism.

Critical economic theory and Maria Márkus’s politicisation of needs

Norbert Ebert

Like a message in a bottle, How Is Critical Economic Theory Possible? originally written in the late 1960s in Hungarian, has recently arrived on the shores of critical theory in the form of an English translation. As a critique of Marx’s economic determinism, the authors aim to set Marxist thinking on a more realistic path. This article looks first, at what the authors think are flawed premises in Marx’s work. Second, I sketch the contemporary economic context of a global digital economy to point at issues a critical economic theory inevitably has to contend with today to prove its relevance. Finally, I argue that Maria Márkus’s ideas of a politicisation of needs and civil/decent society make a significant contribution to a potential answer to How Is Critical Economic Theory Possible? and also advance the idea of a mixed economy with the goal to sustain an economic order that allows a maximum of economic and political freedom while simultaneously reducing economic and political inequalities to a minimum.

An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity

Fu Qilin

György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in Sydney were focused on the question of modern cultural autonomy. From the 1960s to the new century, from Budapest to Sydney in Australia, he established a new form of Neo-Marxist aesthetics on the basis of critical theory drawn from Lukács to the Frankfurt School. His aesthetics includes three dimensions: an aesthetics of praxis, a reconstruction of Lukács’s aesthetics and a theory of aesthetic modernity. His aesthetics is characteristic of analytic philosophy, especially ‘categorical analysis’. It shifts from philosophical aesthetics in the Hungarian period, which is based on an ontological foundation, that is, materialist phenomenology, to social or sociological aesthetics in the Australian period concerning social modernity, institution, constitution, culture, and so on. This is a turn from a philosophical paradigm to a structural one as regards aesthetics, which indicates a break with Lukács’s late return in the early 1960s to Hegelian inspired Ontology of Social Being. Márkus is strictly and essentially an essayist in fragments, who distinguishes himself from the other members of the Budapest School in this way. Ironically, this genre is once again influenced by the young Lukács’s aesthetics.

Alexandre Kojève: Adventures between Philosophy and Wisdom [Open Access]

Galin Tihanov

This article examines Alexandre Kojève’s attempts to differentiate between philosophy and wisdom; he thought of the two, particularly later on in his career, but also earlier, as distinctly non-identical. I trace Kojève’s transition from philosophy to practice in the corridors of power, motivated by his quest for wisdom, by outlining in some detail his stance on globalisation and the role of the state in his post-war dialogue with Carl Schmitt.

The first Marxist reflection of Georg Lukács

Qin Jiayang

The article ‘Aesthetic culture’ was written in 1908. Although it is in the same period as Soul and Form, in essence, the ideas expressed in this article go beyond the pure philosophy of life and the theory of form, which is different from the idealistic tendency of Lukács in this period. Moreover, ‘Aesthetic culture’ and History and Class Consciousness have ontological and epistemological consistency in subject–object relation and class consciousness. This was the first Marxist reflection of Lukács, and also a reliable sign that he was to join the Hungarian Communist Party 10 years later and turned to Marxism. By criticizing the paradox of aesthetic culture itself, Lukács tried to construct a culture as a whole as a category, and tried to solve the deep contradiction between the freedom of consciousness and the passive form of the subject in modern society. This kind of culture as a whole would be based on the class consciousness of the proletariat itself and take life as the main category, so as to provide the proletariat with practical theoretical conception to expand their space for living in bourgeois culture.

Agnes Heller: The time of your life

David Roberts

The following reflections, occasioned by Agnes Heller’s death, attempt to reconstruct Heller’s sense of temporality and historicity as the key to her rethinking of the idea of philosophy of history after the demise of the grand narratives in the form of a fragmentary philosophy of history and a theory of history.

Book review essay

The Provenances and Postscripts of 1989

Jokubas Salyga

The books under review exemplify some of the finest recent work on the historically informed political economy of Central and Eastern Europe. While different in their conceptual frameworks and geographical foci, the titles converge in the advancement of nuanced and convincing arguments, displaying both theoretical acuity and empirical depth to great effect. Bartel, Fabry, and Pula all share a resolute dedication to illuminating the under-explored provenances of neoliberalism and/or globalization in the region, that predate the annus mirabilis of 1989. Their contributions situate the ‘Eastern bloc’ states within the contours of evolving global political economy and the existential crises engulfing capitalism and ‘actually existing socialism’ during the 1970s and beyond. The authors expound on the intricate web of global capital accumulation, geopolitical competition, and skilful diplomatic strategy, which served to dismantle the ‘Iron Curtain’. Two contributions further assess the postscripts of the 1989 revolutions.

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