Book Review: Marxist Aesthetics in Eastern Europe
Fu Qilin, Marxist Aesthetics in Eastern Europe (Chinese Science Publishing, 2025)
Reviewed by David Roberts
Fu Qilin, Marxist Aesthetics in Eastern Europe (Chinese Science Publishing, 2025)
Reviewed by David Roberts
Critical Theory: Chengdu Review, Volume One, Edited by Fu Qilin (Sichuan University Press, 2024)
Reviewed by Li Jing
Annihilation Aesthetics: On the Disappearances of Hiroshima and Nagasaki.
This special issue of Thesis Eleven will be published in August 2025. Below includes a introduction to the volume accompanied by an artist’s statement by Chantal Meza whose artworks works will be featured in the issue.
by Eric Ferris
Previously honoring Agnes Heller and George Markus, the conference was part of an ongoing, larger Chinese federal research project on aesthetics which, in part, is a canopy for critical theory and has to date resulted in serious scholarship on Eastern European Marxist thinkers by Chinese intellectuals. Co-sponsored by Thesis Eleven, The Research Center for Marxist Theory of Literature in the College of Literature and Journalism at Sichuan University in Chengdu, China, and the Marxist Aesthetics Committee of the Chinese Association of Aesthetics, the conference not only reflected Bauman’s global influence, it was also an example of how his influence continues to grow.
This special edition of Thesis Eleven focuses on the thought of British philosopher and critical theorist Gillian Rose. With contributions focusing on Rose’s political thought, her literary and aesthetic philosophy, and her engagement with Hegel, this edition hopes to further establish Rose’s work as part of the canon of late 20th century philosophy. Additionally, this issue also contains an interview with New School critical theorist Jay Bernstein, who was close friends with Rose, as well her previously unpublished lecture, “Does Marx Have a Method?”
by Howard Prosser
This interview with Martin Jay took place in January 2025. The conversation focuses on the conceptual elements of his book Magical Nominalism: The Historical Event, Aesthetic Reenchantment, and the Photograph (2025). The discussion traces the place of nominalism within philosophy and in connection to Critical Theory, history, and art.
Contributors: David Roberts, Rob Shields and Nicholas Hardy, Thembisa Waetjen, Johan Trovik, Eduardo Enríquez Arévalo, Lorenzo Veracini and Dan Tout, Loïc Wacquant and Dieter Vandebroeck, Jonathan Fardy, Zeger Polhuijs, and Peter J Verovšek