by Darren Jorgensen

Wang Qingsong’s monumental photography unveils the deep structures of Chinese history and society. The title of the first survey of Wang’s work in Australia, exhibited at the Cullity Gallery in the School of Design at the University of Western Australia, is Everlasting Inscription. It attempts to describe Wang’s resistance to the forgetting of Chinese history, while illuminating the structural legacies by which life in China assumes its collective shape.