by Darren Jorgensen
For five decades, Terry Smith has been a crucial part of conversations on both Australian and contemporary art. Since his 1974 essay, ‘The Provincialism Problem,’ through to a series of publications on global contemporary art, Smith has been both prolific and influential in the discipline of art history.
by Rex Butler and A.D.S. Donaldson
UnAustralian art is the art of our present, those missing years since 1970 in McLean’s book. But the real point – to say this for the last time and to conclude – is that we have always been like this. This history has been written for a long time, just not in the name of “Australia”. Those stories we tell of immigrants and expatriates from the past read as though they could have happened yesterday, and we can identify with them as if they were ours. We are all first of all non-national, non-Australian, So many of us, nearly all of us, are immigrants.
thesis eleven 