by Rjurik Davidson

The King is dead, long live the King!” This ancient French phrase, dating to at least the Fifteenth Century, is the kind that might have set Fredric Jameson on one of his extended, languorous, alternately dense and playful, intellectually demanding examinations. Marxism’s preeminent cultural critic for more than fifty years, Jameson was the foremost proponent of dialectical thought, in which two seemingly contradictory phenomena were shown to be united by some underlying logic.