The essays in this thematic issue reflect on late 20th- and 21st-century figurations of ‘upheaval’ to measure the affective and emotional dimensions of some of the most complex challenges of our times. In exploring the discursive potency of the term ‘upheaval’ itself they attend collectively to an ‘optics’ of upheaval – that is, to the ways in which upheaval’s forms are rendered visible or invisible in a variety of contexts.
Contributors: Peter Baehr, Jim Berryman, Christopher Houston, Anthony Lloyd, Mark Horsley, Henry Maher, Silvia Pierosara, Alice Bloch
Reviews: Zak Kizer, Shannon Brincat, Franciszek Chwałczyk, Nico Buitendag
by Matthew Barker
Alfonso Lingis asks the reader in the opening paragraph of Bodies That Touch Us: “are the bodies we touch really the bodies described by phenomenology?” (p.159). His question probes the limits of the possibilities of description vis a vis the actual body described. To answer the question, Lingis wanders through selected phenomenological texts and writers, pulling attention to moments of significance. His approach is meditative rather than calculative (see Heidegger, 1966) and his overture to Maurice Merleau-Ponty is as noticeable as his silence on Emmanuel Levinas.
by Howard Prosser
“Carnivals in History” (1981) is the only article Emmanuel Le Roy Ladurie published in Thesis Eleven. The piece’s appearance, then and now, arguably says more about the journal than it does the esteemed historian. Having him appear in its early pages was a coup for the new publication. Other big names followed. And, mercifully, some lesser ones. To include his piece in the Top 40 offers a marker of the journal’s prestige as well as the persistence of critical thought among its many pages.
scholars to look outside the universities for their field of writing/publication/action; they define radical history and discuss the work of some of its past and present practitioners; they show that labour history grew out of intellectuals within the labour movement, and argue that labour history should re-invent itself as working class history; and they provide examples of their recent ‘radical history’ work
by Katie Terezakis
Home is a loaded idea. Call to mind the common sayings: home is where the heart is, you can never go home again, etc. The abundance of mottoes doesn’t dampen the sentiment; the idea of home remains charged with longing for a place we knew or hope to create.
The 3th International Conference on Marxist Critical Theory in Eastern Europe (ICMCTEE2022) will be held during November 18-21, 2022 in Chengdu, China. It will be in memory of György Márkus (1934-2016). Márkus was a member of Budapest School and put forward a series of central conceptions about culture, arts, modernity, anthropology and philosophy.
John Lechte, The Human: Bare Life and Ways of Life (Bloomsbury, 2020)
Reviewed by Claire Colebrook
by Mark Davis
It’s an evocative theme, a ‘Top 40’. A little alarmingly for some listening no doubt, Thesis Eleven was first conceived the year I was born, 1978. Growing up here in the UK during the 1980s, encountering the ‘Top 40’ meant listening to the radio (later watching TV) to learn which songs had climbed or fallen a few places in the charts depending on the music-buying public’s affections. I used to wait, enduring the songs that didn’t excite me in order to sing the songs that did.
by Jack Palmer
I first read ‘The Making and Unmaking of Strangers’ where it is republished in Postmodernity and its Discontents, a collection of wide-ranging and loosely connected essays. A form typical of this stage of his work. Some of them are transcripts from lectures delivered at invited and esteemed lectures (the Manchester Annual Peace Lecture, for instance), reflecting perhaps a new-found fame and notoriety. Thesis Eleven was clearly a testing ground, it seems, a collection of the like-minded, alongside Telos, Theory, Culture & Society and The Jewish Quarterly.